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Hitman: My Real Life in the Cartoon World of Wrestling, by Bret Hart
Ebook Free Hitman: My Real Life in the Cartoon World of Wrestling, by Bret Hart
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From Publishers Weekly
Hart's account of his professional wrestling career is almost literally blow-by-blow, with detailed descriptions of the choreography of many of his most prominent matches in the former World Wrestling Foundation and the now-defunct World Championship Wrestling. (And, yes, he freely admits that the outcomes are determined in advance, while the wrestlers work out the actual moves for themselves.) To hear him tell it, everybody hailed him as the best damn worker in the business, a storyteller with the comparative artistry of a De Niro. But the manipulative schemes of WWF head Vince McMahon (and several of his colleagues) kept Hart from reaching his full potential as a champion until injuries sidelined him for good. The memoir goes deep into Hart's family history—his father was one of the pioneers of the Canadian pro wrestling circuit, and his brothers and brothers-in-law followed him into the business. Wrestling fans will eat up all the backstage drama, but even those who don't care for the shows should be impressed by Hart's meticulous eye for telling detail—the bittersweet story that results is simultaneously a celebration and an exposé. 32 pages of photos. (Oct. 8) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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About the Author
Though Bret Hart is now retired from wrestling, he is recognized around the world as one of the all-time greats. In 2006 he was inducted into the WWE Hall of Fame. He lives in Calgary.
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Product details
Hardcover: 592 pages
Publisher: Grand Central Publishing (October 8, 2008)
Language: English
ISBN-10: 0446539724
ISBN-13: 978-0446539722
Product Dimensions:
6.5 x 2 x 9.2 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
364 customer reviews
Amazon Best Sellers Rank:
#168,683 in Books (See Top 100 in Books)
I had Bret Hart's book on my nightstand for nearly a year, holding off on starting the book due to its length of 550 pages. Once I did finally dive into the book, I finished it in three marathon reading sessions. As a kid who grew up on 1980s WWF, I found the stories and details of specific werestlers fascinating. The reason I went with four stars instead of five stars was because, as awesome as the stories were, the continual self-congratulations do get rather overbearing at times.Seemingly everyone mentioned in the book had their "best match ever" against Hart -- from Yokozuna to Tom McGee. Bret also points out in the book that he carried Ric Flair to great matches and repeatedly mentions that he never injured any wrestler during his career to the point that they were unable to work the following night. Hart also pointed out that when he injured his ribs during a match with Dino Bravo, horror washed over Bret when he realized that his selling was so realistic that no one would be able to tell he had been legitimately injured by a dive into the ringside railing. After a while, the self-congratulations just became too much,.But there is no doubt the book is one of the best wrestling books out there. As expected, Shawn Michaels, Triple H and Vince McMahon all come off looking very bad in the book. Another guy who Bret crushes in the book is the Ultimate Warrior. Hart tells the story of Warrior blowing off a dying child from the Make A Wish Foundation, and says it was one of the worst things he ever saw during his wrestling career.To me, the funniest story in the entire book was Bret talking about pranking Dick Murdoch while in Dubai. Hart notcied a pair of soiled underwear on the floor under a bench in the dressing room and switched the soiled underwear with the clean pair Murdoch had hanging on a hook. Upon seeing the dirty underwear where his once clean pair had been, an exasperated Murdoch blurted out, "All I know is there must be a **** freak running around here, because somebody **** in my underwear, and I'm dang sure it wasn't me." LOLHart also writes extensively about the Dynamite Kid, calling him the best wrestler he ever saw while also repeatedly stating that Tom Billington suffered from "Small Man's Syndrome". Hart openly wonders if Billington ending up in a wheelchair wasn't karma for his repeated cruelty during his career. When Bret talks about his own adultery while on the road, he seems to give himself a pass by writing that his many adulterous relationships may have saved his life because he was not into drugs and steroids nearly to the degree of his contemporaries in the sport.The many self-congratulations aside, it is hard not to feel sad for Hart when he talks about the death of his brother and how it ripped his family to pieces over money and how culpable Vince McMahon was in the death of Owen Hart. Bret recounts conversations he had with Owen in which they agreed that the wrestling business was not worth dying over, and the vivid dreams Bret had about Owen after his brother's death.This is one of the best wrestling autobiographies you can read, but just be aware that the book comes with lots of self-congratulations mixed in with plenty of great stories (both positive and negative) about nearly every big name wrestler of the 1980s and 1990s.
This book is SO GOOD. Bret talks- about his wrestling adventures in the ring,- his outside exploitation’s outside the ring with other wrestlers,- a good explanation of WCW downfall, Shawn Michaels with his ridiculous politics,- Hulk Hogan trying to bury his push before Hogan went to WCW- His Stampede days just trying to make a dent in the wrestling industry- Wrestling abroad, and he talks about Bruiser Brody death with certain details not most wrestlers know.- His relationship with Eric Bischoff with in depth detail- Bret talks about HHH and Shawn trying bury Rock’s rise to the topGet this book......And theeres so much more too...
Bret Hart was my favorite professional wrestler as a kid. As someone born in 1984, I was born into two golden ages of professional wrestling, being young enough to fall in love with the super hero, larger than life characters of the 1980s, coming to appreciate the technical ability of the "new era" early 1990s, and then being the target audience for WWF's turn towards the raunchy in the Attitude era. I marked hard for basically every angle up until I was 16, and Bret Hart's autobiography is written for those fans who followed his career.The book is surprisingly well written, and seems to authentically be coming from Hart. It lacks most of the cliches that are inflicted on readers in other wrestling autobiographies, but Hart does stray into some tiring analogies especially at the end of each chapter. The mood of the book is largely melodramatic, which can be tiring, but melodrama seemingly followed Hart for most of his career and so its apt.The book is written for someone who understands the world of professional wrestling and is beyond the premise of works and shoots. Even if you're not a smark, if you just know what a smark is, then the book is written for you. Hart struggles with the tone of the book and who it is written for, at times going into depth explaining the intricacies of the business as if the book is written for a mark, but then in the next paragraph using industry lingo that even a seasoned dirt sheet veteran would have to look up. Hart does this also when he name drop lesser known wrestlers without mentioning their gimmick, but then will reinforce the gimmick for wrestlers everybody knows. When Hart talks about Dwayne Johnson, he seemingly always reminds the reader that Rocky Maivia would go onto become The Rock, which is something that even non-wrestling fans known, but then Hart will constantly mention people like Carl Demarco ("Carlo") without giving the context of who they are. Hart mentions his relationship to Carlo early in the book, but after having dozens and dozens of wrestlers names dropped, he doesn't follow up with Carlo's relationship with WWE, himself, or others. For even a seasoned smark like me, I found myself having to use the Kindle's look-up feature often.But what is most interesting about Hart's autobiography is actually the story he doesn't tell, it's a look inside the mind of Bret Hart, and how he sees himself and the world around him. Now, mind you, I was a huge Bret Hart fan throughout my childhood, and I am exactly the fan that Hart felt the wrestling industry was moving away from. I *hated* Jerry Lawler as a kid, I didn't like DeGeneration X when they feuded with Hart, I even didn't like Steve Austin during his Hart feud, it's tough to find a bigger mark for Bret Hart than I was as a 12-year-old. But as an adult, it slightly depressed me reading the book because Hart's portrayal of every event in his life shows someone who is not able to take responsibility for things that he should legitimately take responsibility for. Hart seemingly assumes too much blame for things that he should not take responsibility for (like the death of his brother Owen), while looking for a scapegoat with events in his life that he alone had control over, most notably, his numerous extramarital affairs that he goes into great depth covering in the book. Hart admits to having affair after affair, but always excuses them -- the road, his wife's seeming mental instability (Julie gets absolutely shredded throughout the book, and it sounds like she's bipolar), events behind the scenes.This inability to accept responsibility plays out in Hart's business dealings in the WWF as well and how he manages his angles and relationships with other wrestlers. He has an inability to accept even partial responsibility for some of the negative turns in his career, incessantly projecting blame to other wrestlers, McMahon, the Clique, Hogan, or any other actors that he faces throughout his career. This is apparent in interviews that Hart gives today, particularly if you watch the round table discussion between Jim Ross, Hart, and Shawn Michaels about their relationship: Michaels, for all of his faults in his career, seems to have accepted his wrong doing and wants to make up for it. Hart, on the other hand, seems intent on restating what he's stated throughout his career and is unable to move on from events which he likely has at least partial responsibility for. I can only imagine that when Hart expresses how he's slighted throughout the book that this same mental block that he has accepting partial responsibility motivated some of those events.As a Bret Hart mark and with a profound respect for his ability to craft a character (something that he steadily improved on throughout his career), part of me has always yearned for Hart, Vince, and the other huge names in professional wrestling, to reveal that Harts career (and everything around it) was one big work, to quote Hogan, that I'm such a jabronie mark that I can't tell when a work is a work and when I've been worked into a shoot. It's one of those death bed confessionals that the mark in me would love to hear: "Michaels, McMahon, and I worked a 20-year shoot," but reading Harts autobiography is such a compelling look into the often depressing world of professional wrestling and the personality of Bret Hart, that it has entirely dispelled that dream of mine.From a simple product review point of view, I would give the book 5 stars but it isn't without faults (other than the personality faults of Hart). Hart spends an inordinate amount of time detailing dozens of matches early in his career. He mentions how he maintained a journal throughout his career, and this absolutely shows, as he recalls specific spots, reactions, and the outcomes of so many matches that no person could recall that. While these details provide a true panorama of Bret Hart's career, it comes at a cost, as Hart seemingly has to rush through some of his most memorable feuds and in some of the strongest spots in his career. For instance, Hart will talk at length about matches in the 80s in New Zealand, Australia, Puerto Rico, or the circuits in Canada and the United States, but then fails to go into any real depth about some of his most memorable feuds like with Jerry Lawler, which was a two year feud and one that defined Hart's face character in the early-to-mid 90s. This is a probably a combination of needing to rush through the meat of his career to expand more on the beginning, the turning point ("The Montreal Screwjob") and the end, and possibly Hart building a narrative about being the WWF headliner at the time. The details about his early career are appreciated from a broader perspective, but while Hart will go into depth about many forgotten wrestlers from the 1980s in the NWA or independent circuits, he doesn't provide that same perspective for much of the mid-90s WWF talent. If 'Hitman' were a wrestling match, Hart might have to agree that he might have spent too much time building the storyline to a match with technical mat wrestling in the beginning, only to rush through the climax with a botched finisher.Still, I would recommend this book to anybody who has a deep interest in the history of professional wrestling.
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